writing
2018-2025
Embedded Files
Mourning the Ends: Collaborative Writing and Performance (2025)
by Maria Shantelle Alexies Ambayec, Kristof van Baarle, Peter Burke, Renata Gaspar, Sozita Goudouna, Nilüfer Ovalıoğlu Gros, Adham Hafez, Jan-Tage Kühling, Eero Laine, Sarah Lucie, Juliana Moraes, Evan Moritz, Malin Palani, Rumen Rachev, Aneta Stojnić
punctum books
Aprender-ensinar: transgressões e outras pedagogias feministas (2025)
by Renata Gaspar
In Conversas Desalinhadas, Carla Cruz, Gabriela Carvalho e Danielle Fernandes (eds.) 140-149. Porto, Portugal: i2ADS e Lab2PT
Frequencies (2024)
by Renata Gaspar & Alia Zapparova
In Performance Research, 28(4), 140–141. London, UK: Routledge
Everywhere, All the Time, 3:42 - collaborative encounters with the mundane (2024)
by Eric Villanueva Dela Cruz, Gillian Dyson, Renata Gaspar, Sozita Goudouna, Tasha Haines, Eero Laine, Birgit Larson, Vahri McKenzie, Jimena Ortúzar, Sandamini Ranwalage, Anna Tzakou, Evelyn Wan
In Performance Research, 28(4), 5–6. London, UK: Routledge
Spaces of collaboration: feminist practices of knowledge-making (2023)
by Renata Gaspar
In Cross Media Arts: Social Arts and Collaboration, Paula Reaes Pinto, António Gorgel Pinto e Sérgio Vicente (eds.) 163-170. Casal de Cambra, Portugal: Caleidoscópio
Landscapes in motion: the borderlands of artistic practice (2023)
by Renata Gaspar
In COMbART: Art, artivism and citizenship. Utopias and imagined futures, Paula Guerra e Ricardo Campos (eds.) 192-199. Porto, Portugal: Universidade do Porto, Faculdade de Letras
Looking through the rubble - material traces of impermanence (2021)
by Renata Gaspar & För Künkel
Changing Perspectives on Performance Collaboration: Problematizing More-Than-Human Subjectivities (2021)
by Alecks Ambayec, Renata Gaspar, Sozita Goudouna, Jan-Tage Kühling, Simon Probst
In Global Performance Studies, vol. 4, no. 2. United States: Performance Studies international
De onmogelijke toeschouwer [The Impossible Spectator] (2021)
by Renata Gaspar, Sozita Goudouna, Nilüfer Gros, Jan-Tage Kühling, Eero Laine, Sarah Lucie, Juliana Moraes, Evan Moritz, Malin Palani, Kristof van Baarle
In Contra/Productief; no. 165. 10-18. Brussels, Belgium: E-tcetera
O corpo não é singular, escreve a várias vozes: viagem entre linhas de evasão (2021)
by Renata Gaspar
In Poética erótica de la relación - Estéticas descoloniales desde el Sur. Arte, memorias y cuerpos, Karina Bidaseca, Marta Sierra & Lucía Nuñez Lodwick (eds.) 25-34. Buenos Aires, Argentina: CLACSO
Echoes (reading presence) (2021)
by Renata Gaspar & Alia Zapparova
Presented at the Nordic Summer University (NSU) Circle 7 – Artistic Research / Performing Heterotopia; Winter (Dis)Symposium / Distant and Dispersed; March 2021; Online
Uncertainties – notes from the porch (2020)
by Renata Gaspar
Presented at the Nordic Summer University (NSU) Circle 7 – Artistic Research / Performing Heterotopia; Winter Symposium / Disorientations; March 2020; Wroclaw, Poland
On the role of friendship in artistic collaboration: personal notes on the future of work (2019)
by Renata Gaspar
In Owela - The Future of Work, Kaleni Kollectiv (eds.) 26-27. Germany: Ruhrfestspiele Recklinghausen / TURN Fund
Fragments of our correspondence: migrating sediments (2019)
by Renata Gaspar & För Künkel
In Owela - The Future of Work, Kaleni Kollectiv (eds.) 27. Germany: Ruhrfestspiele Recklinghausen / TURN Fund
Spatial practices: a politics of place-making for performance studies (2019)
by Renata Gaspar
PhD thesis; UK, London: University of Roehampton
by Renata Gaspar
In Cross Media Arts. Artes Sociais e Transdisciplinaridade - Social Arts and Transdisciplinarity, António Gorgel Pinto, Paula Reaes Pinto & Teresa Veiga Furtado (eds.) 88-99. Casal de Cambra, Portugal: Caleidoscópio
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